Birds pervaded the ancient world. They impressed their physical presence on the daily experience and imaginations of ordinary people in town and country alike, and figured prominently in literature and art. They also provided a fertile source of symbols and stories in their myths and folklore, and were central to the ancient rituals of augury and divination. Jeremy Mynott's Birds in the Ancient World: Winged Words brings together all this rich and fascinating material for the modern reader. Using quotations from well over a hundred classical Greek and Roman authors, all of them translated freshly into English, and nearly a hundred illustrations from ancient wall-paintings, pottery, and mosaics, Birds in the Ancient World illustrates the many different roles birds played in popular culture: as indicators of time, weather, and the seasons; as a resource for hunting, eating, medicine, and farming; as domestic pets and entertainments; and as omens and intermediaries between the gods and humankind. There are also selections from early scientific writings about birds, as well as many anecdotes and descriptions from works of history, geography, and travel. Jeremy Mynott acts as a stimulating guide to this varied material, using birds as a prism through which to explore both the similarities and the often surprising differences between ancient conceptions of the natural world and our own. His book is an original contribution to the flourishing interest in the cultural history of birds and to our understanding of the ancient cultures in which birds played such a prominent part.

Thucydides' classic work is a foundational text in the history of Western political thought. His narrative of the great war between Athens and Sparta in the fifth century BC is now seen as a highly sophisticated study of the nature of political power itself: its exercise and effects, its agents and victims, and the arguments through which it is defended and deployed. It is therefore increasingly read as a text in politics, international relations and political theory, whose students will find in Thucydides many striking contemporary resonances. This edition seeks to present the author and the text in their proper historical context. The new translation is particularly sensitive to the risks of anachronism, and the notes and extensive reference material provide students with all the necessary historical, cultural and linguistic background they need to engage with the text on its own terms.

What draws us to the beauty of a peacock, the flight of an eagle, or the song of a nightingale? Why are birds so significant in our lives and our sense of the world? And what do our ways of thinking about and experiencing birds tell us about ourselves? "Birdscapes" is a unique meditation on the variety of human responses to birds, from antiquity to today, and from casual observers to the globe-trotting "twitchers" who sometimes risk life, limb, and marriages simply to add new species to their "life lists."

Drawing extensively on literature, history, philosophy, and science, Jeremy Mynott puts his own experiences as a birdwatcher in a rich cultural context. His sources range from the familiar--Thoreau, Keats, Darwin, and Audubon--to the unexpected--Benjamin Franklin, Giacomo Puccini, Oscar Wilde, and Monty Python. Just as unusual are the extensive illustrations, which explore our perceptions and representations of birds through images such as national emblems, women's hats, professional sports logos, and a Christmas biscuit tin, as well as classics of bird art. Each chapter takes up a new theme--from rarity, beauty, and sound to conservation, naming, and symbolism--and is set in a new place, as Mynott travels from his "home patch" in Suffolk, England, to his "away patch" in New York City's Central Park, as well as to Russia, Australia, and Greece.

Conversational, playful, and witty, "Birdscapes" gently leads us to reflect on large questions about our relation to birds and the natural world. It encourages birders to see their pursuits in a broader human context--and it shows nonbirders what they may be missing.

ONE OF THE GUARDIAN'S BEST NATURE BOOKS OF 2020 SHORTLISTED FOR THE RICHARD JEFFERIES SOCIETY & WHITE HORSE BOOKSHOP LITERARY PRIZE 'Lovely: full of fascinating detail and anecdote, but the undertow of the virus moving in real time beneath its sunlit surface gives it a unique emotional heft.' -The Times 'A literary window into the wonderful wild world during lockdown... a charming book.' -Daily Mail 'An entrancing testament to nature's power to restore us to ourselves.' -Ruth Padel Nature took on a new importance for many people when the coronavirus pandemic arrived, providing solace in a time of great anxiety - not least because the crisis struck at the beginning of spring, the season of light, growth, rebirth and renewal. Three writers, close friends but living in widely separated, contrasting parts of the country, resolved to record their experiences of this extraordinary spring in intimate detail, to share with others their sense of the wonder, inspiration and delight the natural world can offer. The Consolation of Nature is the story of what they discovered by literally walking out from their front doors.

Thucydides' classic work is a foundational text in the history of Western political thought. His narrative of the great war between Athens and Sparta in the fifth century BC is now seen as a highly sophisticated study of the nature of political power itself: its exercise and effects, its agents and victims, and the arguments through which it is defended and deployed. It is therefore increasingly read as a text in politics, international relations and political theory, whose students will find in Thucydides many striking contemporary resonances. This edition seeks to present the author and the text in their proper historical context. The new translation is particularly sensitive to the risks of anachronism, and the notes and extensive reference material provide students with all the necessary historical, cultural and linguistic background they need to engage with the text on its own terms.